Late 15th century burmese glazed plaque  

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Object - Plaque

Place of origin - Burma (made)
Date - late 15th century (made)
Artist - Unknown
Materials and Techniques - Glazed stoneware

Dimensions -

Height: 48 cm
Width: 35 cm
Depth: 14 cm


Current Location - Victoria & Albert Museum, London
Museum number- IS.2-1966

Physical description

Tile depicting the warriors of Mara. The pious king Dhammaceti (r.1472-92) of Pegu built a series of temples to honour the life of the Buddha. The most distinguished was the temple complex of Shwegugyi, built in 1476. It was decorated with an extensive series of large-scale glazed tiles, many of which illustrated the demonic warriors of Mara's army, sent to disrupt the Buddha's meditation immediately prior to his Enlightenment. This tile, with owl-headed figures bearing swords, is typical of this series.

Object history note - Gifted by Cyril Newman.

Historical context note

An illustration of similar plaques is given in pl. 10 of "Note of a tour in Burma in March and April 1892" by Oertel, Rangoon, 1893. The caption states that they belong to the "Phayre Museum" (Rangoon) and that they are probably from Pegu.
A similar plaque is in the B.M. Both are illustrated in "Notes on Antiquities in Ramamadesa" by Sir Richard Camac Temple (in Indian Antiquary, 1893 Dec. Vol XII). From a series probably from the Shwegugyi Pagoda, Pegu and thus possibly, 15th century.
Pitt Rivers Museum, Oxford, has four more of this series, given by Richard Temple.

Descriptive line

Tile Depicting the Warriors of Mara, Glazed stoneware, 15th century, Pegu, Burma.

Bibliographic References (Citation, Note/Abstract, NAL no)

John Lowry " Burmese Art" Pl.21
B,M. Catalogue- Buddhism " Art and Faith"; 1985; pp 164; Pl.226.
John Guy " Ceramic Traditions of South East Asia" Singapore, Oxford University Press, 1989.

Attribution Note

Possibly from the Shwegugyi temple, Pegu, Burma.


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King Anawratha’s wife, Oueen Chipe Votive Tablet  

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Burmese Votive Tablets by Dr. Richard M. Cooler

The most numerous and, perhaps, the most intimate objects from the Pagan period are the clay votive tablets that were stamped out and signed by many kings and nobles. The creation of these tablets, each displaying at least one image of the Buddha and some including over 100 images, was thought to produce good merit for its maker. The incentive for their creation is not in doubt, like so much concerning the Pagan Period, because many donors wrote and signed their intentions on the back of the tablet. King Anawratha’s tablets state that “This Buddha was made, with his own hands, by Sri Maharaja Aniruddhadeva, with the object of emancipation [i.e. gaining Nirvanna]”. Anawratha’s tablets had his tablets inserted into religious foundations throughout his kingdom.

The face of the tablet often displays a Buddha in bhumisparsa mudra seated within a temple that is similar to the one constructed at Bodhgaya, India, where the Buddha achieved enlightenment. Two lines of Sanskrit in North Indian characters of the 10th to 11th centuries is often imprinted below the Buddha images. This is a statement of the Buddhist creed in its most compressed and basic form: “The Buddha hath the causes told, Of all things springing from causes, And also how things cease to be, Tis this the Mighty Monk proclaims”.


Although the use of votive tablets at Pagan continued a tradition that originated in India and some tablets found in the two countries are identical, it is clear that votive plaques were created at Pagan because bronze and clay molds have been discovered there. Also, the Pagan donors signed many of the plaques in script.



11 - 13 Buddha Image Votive Tablet

Verso writing states

tablet made by King Anawratha’s

wife, Oueen Chipe

Ref: http://www.seasite.niu.edu/burmese/Cooler/Chapter_3/Part4/Images/pagan_period_4.htm

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Votive seal 9-10th C ( Burma )  

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This votive seal shows a seated Buddha expounding the law. It originated in Prome, Burma (now Myanmar), and dates to the Pyu period (9th to 10th century).

Subject - Votive seal

Place of origin - Burma ( Made )

Date - 9th- 10th Century ( Made )

Materials -Terracotta

Material and Techniques- Elliptical buff clay

Current Location - Victoria & Albert Museum

Museum number- IS.130-199

Physical description - A votive seal with a seated Buddha expounding the law.

Dimension

Height: 8.8 cm
Width: 7.8 cm
Diameter: 2.5 cm

Descriptive line - A votive seal with a seated Buddha expounding the law, Pyu, Prome, Burma.

Production Type and Product Note -Unique

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Names founded in Tablets, Pagan 11 C  

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Object - Votive plaque

Materials -Terracotta
Techniques - Impressed
Place of origin - Pagan , Burma ( Myanmar )

Current Location - British Museum

Date - 13thC

Dimensions - Height: 19.5 centimetres

Description
Votive plaque. Buddha beneath a triple arch and a parasol, in the earth-touching gesture. The tree is shown by branches with the Bodhi leaf. The small surrounding Buddhas in pearled niches with indications of a tree above and around them are a series of twenty-eight predecessors of the 'historical' Buddha. Two ‘stūpas’ fill spaces at the top, and a line of Burmese characters runs at the bottom of the impression. Inscribed with Burmese characters. Made of impressed terracotta.

Inscriptions
Inscription Type: inscription
Inscription Script: Burmese
Inscription Position: bottom
Inscription Comment: A line of Burmese characters runs at the bottom of the impression.

Curator's comments
Zwalf 1985

Another example of Burmese votive plaques of Indian type shows the Buddha beneath a triple arch and a parasol, in the earth-touching gesture associated with Bodh Gayā. The tree is shown by branches with the unmistakable Bodhi leaf. The small surrounding Buddhas in pearled niches with indications of a tree above and around them are a series of twenty-eight predecessors of the 'historical' Buddha. Two ‘stūpas’ fill spaces at the top, and a line of Burmese characters runs at the bottom of the impression.

===============================================================
The Tablets of the Bagan period have inscriptions mention such names as below list, I have typed myanmar fond to compare and you are required to download zawgyione fond to view myanmar fond.

Aniruddha ( King ?1044-?1077 ) အနိ ႐ုႏၶ ( ၁၀၄၄ - ၁၀၇၇ )
Anantajayabikram ( Sam`pyan`) သံပ်င္အနႏၲဇယဗိၾကမ္
Ananda ( Thera ) အာနႏၵ
Taimila ဣတဲမိလ
Na` Gon` ငေဂါင္
Na` Chu`m ငဆုမ္
Na` Pay Pwam ငပယ္ပြမ္
Cipe ( Chief Queen ) စိေပမိဘုရားၾကီး
Ce Thoy No ေစေတာယ္ေနာ
Canduma`h (?Sam'pyan`) သံပ်င္စႏၵဳမား
Tiras တိရ္သ္
Tra'yya' (Sam`pyan`) သံပ်င္ၾတာယ်ာ
Tribhuvana'-dityadhammara`ja ( King Thiluin` Man` 1084- 1113 ) ၾတိဘုဝနာဒိ တ်ဓမၼရာဇာ ( ထိလိုင္မင္း ၁၀၈၄ - ၁၁၁၃ )
Tribhuvana`dityapavaradhammara`ja ( King Can'su' II, 1174-1211 ) ၾတိဘုဝနာ ဒိတ်ပဝရဓမၼရာဇ ( ဒုတိယ စည္သူမင္း ၁၁၇၄ - ၁၂၁၁ )
Tribhuvana`dityaavaradhammaraj'a ( King Can'su' I, 1113? - 1162 ) ၾတိဘုဝနာ ဒိတ်ပဝရဓမၼရာဇ ( ပထမ စည္သူမင္း ၁၁၁၃ - ၁၁၆၀ )
Trypa' ( Sam`pyan`) သံပ်င္ၾတာယ်ာ
Triloka'vatamsaka`maha`devi ( Chief Queen of Thiluin' Man ) ထိလိုင္မင္း မိဘုရားၾကီး ၾတိေလာကာဝတံသကာမဟာေဒဝီ
Diva`cariyena ( Thera) ေထရ ဒိဝါစရိေယန
Dhammara'japndita ( Thera ) ေထရဓမၼရာဇပ႑ိတ
Pi ( Kalan ) လလန္ ပိ
Puwa ( Kalan ) ကလန္ ပုဝ
Pintu` ( Sam`pyan`) သံပ်င္ ပိႏၲဴ
Pwon` ( Kalan ) ကလန္ ေပၼာင္
Ban'na'no ( Sam`pyan`) သံပ်င္ ဗညားေနာ
May Khray မယ္ျခယ္
May Pa` မယ္ပါ
Muggaliputta ( Thera ) ေထရမုဂၢလိပုတၱ
Mon` Uin` ေမာင္အိုင္
Mon` Keh Soau ေမာင္ေကးေသာ္
Mon` Khat ေမာင္ခတ္
Yassa ( Sam`pyan`) သံပ်င္ ယႆ
Ya`sohddhara`h ( Thera ) ယာေသားဒၶရာ
Yikhi` ယိခီ
La'n Yan` Len လါင္ယင္ေလန္
Vajra`bharanadeva (?King ? 1077- 1084 ) ဝျဇာဘရန ေဒဝ ( မင္း ၁၀၇၇- ၁၀၈၄ )
Visannara`c ( Sam`pyan`) သံပ်င္ ဝိသႏၷရာစ္
Sudhamma`h (Thera ) ေထရ သုဓမၼား
Sumedha ( Thera ) ေထရ သုေမဓ
Sri` Maha` Sa`lini` (? Queen ) မိဖုရားၿဂီီမဟာသာလိနီ

Among these names, Aniruddha was King of Arimaddhanapura ( Pagan ) in the 11th Century. Cipe of the same period claimed to be the Chief Queen ( Mahesi ), Perhaps she was Aniruddha's queen. Sri Maha Salini probably was of the royal family of Aniruddha as the prefixes Sri Maha to her names suggest. Divacariyena and Suddhammah were the names of two senior monks of that time.

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Votive Tablet of Buddha Shakyamuni, circa 1050-1100  

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Subject - Votive Tablet of Buddha Shakyamuni

Place of origin - Burma ( Myanmar )
Preiod - circa 1050-1100

Medium - Terracotta

Dimension - 5 1/2 x 4 3/8 in. (13.97 x 11.11 cm)

Current Location - Los Angeles County Museum of Art (LACMA)

Museum no - (AC1997.72.1) Not currently on public view

Special note - Gift of Mr. and Mrs. Denis Robinson

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Posted by shae myanmar in




Object- Votive Tablet
Title- Votive Tablet, 12th century
Date- 12th century
Place of origin - Pegu, Burma
Techniques-Terracotta, deeply impressed from an intaglio mould
Dimensions- 3 3/8 x 2 3/8 x 3/8 in. (8.6 x 6 x 1 cm)

Current Location- Los Angeles County Museum of Art (LACMA)
Museum number- M.91.237 ( Not currently on public view )
Note - Gift of Mr. and Mrs. Haskia Hasson (M.91.237)


The votive is not really sharp and clear but I think it's does not look like 12th Century. It could be 14th Century.


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11-12th C Burmese Votive at Harvard Art Museum  

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Here , one more votive tablet from Harvard Art Museum. This is very similar to the votive from Victoria & Albert Museum, so I believe need not to describe. I saw 3 line of script at the bottom of votive and if anyone could add more information, please feel free to left comments.



Votive Plaque Depicting Seated Buddha, 12th Century
Harvard Art Museum/Arthur M. Sackler Museum, Gift of Mr. and Mrs. Max Loehr, 1964.2

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Votive Plaque (Sâccha) 11th C Burma, Pagan  

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Object-Votive Plaque (Sâccha)
Title-Depicting Buddha in Bhumisparsa Mudra
Date-11th century, reign of King Aniruddha
Techniques-Terracotta, deeply impressed from an intaglio mould
Place-Pagan, Burma
Dimensions-13.3 x 9.5 x 0.9 cm (5 1/4 x 3 3/4 x 3/8 in.)

Current Location- Harvard Art Museum/Arthur M. Sackler Museum, Louis Sidney Thierry Memorial Fund, 1981.34
Museum number- 1981.34


This clay votive tablet, reportedly found at Pegu, Burma (now Myanmar), depicts the Buddha seated beneath the tower of the Mahabodhi temple at Bodh Gaya, in eastern India. He is seated in the Bhumisparsa Mudra pose with his right hand in the gesture of touching or witnessing the earth (bhumisparsa mudra), the gesture which more than any other represents the moment of his enlightenment.

He is flanked by seated figures of the Bodhisattva Avalokitesvara on the left and right. The branches of the Bodhi tree, under which the Buddha achieved enlightenment, branch out from the central niche. In the upper part of the tablet are a number of small votive stupas (the funeral mound which housed the Buddha's relics and which became the symbol of his transcendental form and the primary Buddhist momument). At the bottom is the two lines of a Buddhist prayer in the devanagari script. Clay votive tablets of the Buddha, quotes from Buddhist texts, and divine figures represent a significant element of the archaeological record of early Buddhist sites in Pagan period.
I am not ready to describe the script and remain uncertain for the time being.

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Mengoon pagoda from N.W (Mingun)  

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Physical description

This image shows the large square pagoda with huge cracks in the brick work running from the top of the building to the bottom.
Place of Origin - Burma
Date - August 1855 - November 1855 (photographed)
Artist/maker - Tripe, Linnaeus
Materials and Techniques - salted paper print froma waxed paper (calotype) negative

Object history note
This photograph was one of a series from 'Burma Views' which was presented to the V&A in July 1909 by Lady Ida Low, wife of Malcolm Low, Esq., of the Bengal Civil Service and daughter-in-law of General Sri John Low. As a member of the Council of India in 1857, Sir John Low received the Burma Views (1857) set on 15th April 1857.

This photograph was published in the album Burma Views 1857, by Captain L. Tripe, official photographer to the Government of India's Mission to Ava [Burma]. Tripe made over 200 photographs during this trip, and the captions to the images are thought to be a collaboration between Tripe and the secretary to the Mission to Ava, Henry Yule.

Tripe’s Burma Views were distributed widely and were very well received. Tripe sent 50 copies to Calcutta. Fourteen sets from these were distributed by the Government of India, including seven sets to members of the Mission to Ava, former capital of Burma. Twenty sets were ordered by the East India Company’s Court of Directors, and most were given to members of the Court. It is not known what happened to the remaining sixteen sets. Due to Tripe’s ownership of the negatives, he printed a selection of his photographs for further distribution. A set of 92 views of Burma was given to the King of Prussia, and more sets were given to the Madras Photographic Society and associated figures. Two hundred and ninety additional prints were offered for sale at 2 Rupees per print at Griffiths and Co., Madras.

Historical context note
In April 1855 Lord Dalhousie, governor general of India, advised on a political trip to Amerapoora, Burma following the annexation of Pengu (part of Burma) by the British after the 1852 Anglo-Burmese war. Tripe was sent to accompany the party in 1855 as official photographer. The photographs he made during his stay resulted in his album of 122 images, Burma Views, published in 1857. These photographs result from this project, and have Tripe’s original numbering and titles on their mounts.

Descriptive line
Photograph, 19th century, No. 97 from series 'Burma Views' by Linnaeus Tripe, 'Mengoon. Pagoda from N. W.', albumen print, Burma, 1855

Labels and date - Mengoon Pagoda
Mengoon (Mingun), 1790–1819
By Linnaeus Tripe (1822–1902)
Albumen print, 1855
Museum no. 1578-1909

This large brick pagoda was begun during the reign of King Bodawpaya but remained incomplete after his death in 1819. The brick base of the lower terrace is 36 metres high, one-third the size of the intended structure. In 1838 an earthquake reduced sections to rubble. [59 words]

Attribution Note
Edition number unknown. This print was probably made to go into the album 'Burma Views', of which 50 full sets were produced. Additional prints were produced by Tripe for different sets of Burma images.

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1855 Bagan  

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Physical description

A distant view of the landscape, with the ruins of many pagodas and built structures in the foreground. White in colour, the Gauda-Palen pagoda stands out in the distance. The Irrawaddy river and mountains are in the background.

Place of Origin - Burma

Date - Burma - August 1855 to November 1855 (photographed)
1857 (printed and published)

Artist/maker- Tripe, Linnaeus

Materials and Techniques - Salted paer print from waxed paper (calotype) negative

Object history note

This photograph was one of a series from 'Burma Views' which was presented to the V&A in July 1909 by Lady Ida Low, wife of Malcolm Low, Esq., of the Bengal Civil Service and daughter-in-law of General Sri John Low. As a member of the Council of India in 1857, Sir John Low received the Burma Views (1857) set on 15th April 1857.
See Registry files for papers on acceptance of gift.
See Dewan p.235 for listings of other copies of the same photograph elsewhere.

This photograph was published in the album Burma Views 1857, by Captain L. Tripe, official photographer to the Government of India's Mission to Ava [Burma]. Tripe made over 200 photographs during this trip, and the captions to the images are thought to be a collaboration between Tripe and the secretary to the Mission to Ava, Henry Yule.

Tripe’s Burma Views were distributed widely and were very well received. Tripe sent 50 copies to Calcutta. Fourteen sets from these were distributed by the Government of India, including seven sets to members of the Mission to Ava, former capital of Burma. Twenty sets were ordered by the East India Company’s Court of Directors, and most were given to members of the Court. It is not known what happened to the remaining sixteen sets. Due to Tripe’s ownership of the negatives, he printed a selection of his photographs for further distribution. A set of 92 views of Burma was given to the King of Prussia, and more sets were given to the Madras Photographic Society and associated figures. Two hundred and ninety additional prints were offered for sale at 2 Rupees per print at Griffiths and Co., Madras.

Historical context note

In April 1855 Lord Dalhousie, governor general of India, advised on a political trip to Amerapoora, Burma following the annexation of Pengu (part of Burma) by the British after the 1852 Anglo-Burmese war. Tripe was sent to accompany the party in 1855 as official photographer. The photographs he made during his stay resulted in his album of 122 images, Burma Views, published in 1857. These photographs result from this project, and have Tripe’s original numbering and titles on their mounts

Descriptive line

Photograph, 19th century, No.10 of series 'Burma Views' by Linneaus Tripe, 'Pugahm Myo. Distant View of Gauda-palen', salted paper print, Burma, 1855

Bibliographic References (Citation, Note/Abstract, NAL no)

Dewan, Janet. The Photographs of Linnaeus Tripe: A Catalogue Raisonné. Toronto: Art Gallery of Ontario, 2003, p.235.

Labels and date

Distant View of Gauda-palen (Gawdapalin)
Pugahm Myo (Bagan), 1180–1250
By Linnaeus Tripe (1822–1902)

In this panoramic view, Tripe shows the extent to which the ruins of pagodas and temples were scattered along the Irrawaddy River, sometimes to a depth of three miles. He captures the graceful quality of the Gawdapalin pagoda or ‘Throne of Obeisance’ as it rises above the other ruins. [49 words]

Albumen print, 1855
Museum no. 1500-1909

Attribution Note

Edition number unknown. This print was probably made to go into the album 'Burma Views', of which 50 full sets were produced. Additional prints were produced by Tripe for different sets of Burma images.

Shape - rectangular

Subjects depicted - Buddhist

Categories - Photographs; Buddhism; Architecture

Production Type and Product Note - Limited edition

Collection code - IND

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1852 Manuthiha at Shwe-Dagon Pagoda  

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Manuthiha, Guardian at the Shwe-Dagon Pagoda; Corner of great pagoda

Object - Photograph Place of origin - Burma ( photographed Date - 1852 Artist/ Maker - McCosh, John (Dr) ( photographer ) Material and Techniques - Calotype Gallery Location - Victoria & Albert Museum, London ( In Store ) Museum number - 85 : 300

Physical description

This photograph shows a European man in uniform standing infront of a manuthiha, a seated creature with a human nead and the body of a lion.

Dimensions

Height: 15.8 cm (image)
Width: 12.7 cm (image)
Height: 33.2 cm (mount)
Width: 26.8 cm (mount)

Descriptive line

'Corner of great Pagoda' by John McCosh, calotype, Burma, 1850s

Labels and date

Manuthiha, Guardian at the Shwe-Dagon Pagoda
Rangoon (Yangon), About AD 600
By John McCosh (1805–85)

A manuthiha is a seated creature with a human head and the body of a lion. Believed to ward off danger, they are sometimes found guarding the corners of a pagoda. John McCosh was a doctor and amateur photographer stationed in Burma during the Anglo-Burmese War of 1852. This rare photograph is one of the earliest surviving images of the region. [60 words]

Albumen print, 1852–3
Museum no. 85,300

Shape - rectangular

Subjects depicted - Buddhist

Categories - Photographs; Buddhism

Collection code - IND

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Manuthiha, Guardian at the Shwe-Dagon Pagoda; Corner of great pagoda

Object - Photograph
Place of origin - Burma ( photographed
Date - 1852
Artist/ Maker - McCosh, John (Dr) ( photographer )
Material and Techniques - Calotype
Gallery Location - Victoria & Albert Museum, London ( In Store )
Museum number - 85 : 300

Physical description

This photograph shows a European man in uniform standing infront of a manuthiha, a seated creature with a human nead and the body of a lion.

Dimensions

Height: 15.8 cm (image)
Width: 12.7 cm (image)
Height: 33.2 cm (mount)
Width: 26.8 cm (mount)

Descriptive line

'Corner of great Pagoda' by John McCosh, calotype, Burma, 1850s

Labels and date

Manuthiha, Guardian at the Shwe-Dagon Pagoda
Rangoon (Yangon), About AD 600
By John McCosh (1805–85)

A manuthiha is a seated creature with a human head and the body of a lion. Believed to ward off danger, they are sometimes found guarding the corners of a pagoda. John McCosh was a doctor and amateur photographer stationed in Burma during the Anglo-Burmese War of 1852. This rare photograph is one of the earliest surviving images of the region. [60 words]

Albumen print, 1852–3
Museum no. 85,300

Shape - rectangular

Subjects depicted - Buddhist

Categories

Photographs; Buddhism

Collection code

IND

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Ruined Tazoung, Tsagain Myo (Sagain)  

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Ruined Tazoung, Tsagain Myo (Sagain)

Object-Photograph

Place of origin -Sagai, Burma

Date -August 1855 to November 1855 (photographed)
1857 (printed and published)

Artist / Marker - Tripe, Linnaeus ( photographer )

Material and Techniques - Salted paper print from a waxed paper (calotype) negative

Gallery location - In Store, Victoria & Albert Museum

Museum number - 1511 - 1909

Physical description

This image is of a large wooden shrine. It has a tiered roof structure, the bottom section of the roof is badly damaged. Through the damaged roof and the missing wooden beams it is possible to see the the statue of a seated Buddha and attendant figues inside the shrine. There are several other pagodas and building in the background.

Dimensions

Height: 24 cm (within mount)
Width: 34.4 cm (within mount)
Height: 38 cm (mount)
Width: 49.5 cm (mount)

Object history note

This photograph was one of a series from 'Burma Views' which was presented to the V&A in July 1909 by Lady Ida Low, wife of Malcolm Low, Esq., of the Bengal Civil Service and daughter-in-law of General Sri John Low. As a member of the Council of India in 1857, Sir John Low received the Burma Views (1857) set on 15th April 1857.
See Registry files for papers on acceptance of gift.
See Dewan p.244 for listings of other copies of the same photograph elsewhere.

This photograph was published in the album Burma Views 1857, by Captain L. Tripe, official photographer to the Government of India's Mission to Ava [Burma]. Tripe made over 200 photographs during this trip, and the captions to the images are thought to be a collaboration between Tripe and the secretary to the Mission to Ava, Henry Yule.

Tripe’s Burma Views were distributed widely and were very well received. Tripe sent 50 copies to Calcutta. Fourteen sets from these were distributed by the Government of India, including seven sets to members of the Mission to Ava, former capital of Burma. Twenty sets were ordered by the East India Company’s Court of Directors, and most were given to members of the Court. It is not known what happened to the remaining sixteen sets. Due to Tripe’s ownership of the negatives, he printed a selection of his photographs for further distribution. A set of 92 views of Burma was given to the King of Prussia, and more sets were given to the Madras Photographic Society and associated figures. Two hundred and ninety additional prints were offered for sale at 2 Rupees per print at Griffiths and Co., Madras.

Historical context note

In April 1855 Lord Dalhousie, governor general of India, advised on a political trip to Amerapoora, Burma following the annexation of Pengu (part of Burma) by the British after the 1852 Anglo-Burmese war. Tripe was sent to accompany the party in 1855 as official photographer. The photographs he made during his stay resulted in his album of 122 images, Burma Views, published in 1857. These photographs result from this project, and have Tripe’s original numbering and titles on their mounts.

Descriptive line

Photograph, 19th century, No. 30 from series 'Burma Views' by Linnaeus Tripe, 'Tsagain Myo. Ruined Tazoung', albumen print, Burma, 1855

Bibliographic References (Citation, Note/Abstract, NAL no)

Dewan, Janet. The Photographs of Linnaeus Tripe: A Catalogue Raisonné. Toronto: Art Gallery of Ontario, 2003, p.244.

Labels and date

Ruined Tazoung
Tsagain Myo (Sagain)
By Linnaeus Tripe (1822–1902)

A tazoung is an open-sided wooden pavilion housing a shrine to the Buddha, to which worshippers take offerings. Unlike the grand pagodas and temples that Tripe usually photographed, this evocative image captures the serenity of the Buddha figure in what is probably a simple roadside shrine. There are numerous tazoungs like this in the Burmese countryside. [56 words]

Attribution Note

Edition number unknown. This print was probably made to go into the album 'Burma Views', of which 50 full sets were produced. Additional prints were produced by Tripe for different sets of Burma images.

Shape - rectangular

Subjects depicted -Buddhist

Categories- Photographs; Architecture; Buddhism

Production Type and Product Note - Limited edition

Collection code - IND


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Nagayoung Pagoda, Amerapoora  

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Nagayoung Pagoda, Amerapoora (နဂါး႐ံုဘုရား၊ အမရပူရ)


Object - Photograph
Place of origin - Burma (photographed)
Date - 1855
Artist/Maker- Tripe, Linnaeus (photographer)
Materials and Techniques - Albumen print from waxed paper (calotype) negative
Museum number- 1534-1909
Gallery location: Victoria & Albert Museum , In store

Physical description
This images shows the striking nagayoung pagoda. The large naga, or serpent, towers over the roof. There is an arched entrance to the left of the main structure. The sky area is very faint with very little colour tone.


Object history note
This photograph was one of a series from 'Burma Views' which was presented to the V&A in July 1909 by Lady Ida Low, wife of Malcolm Low, Esq., of the Bengal Civil Service and daughter-in-law of General Sri John Low. As a member of the Council of India in 1857, Sir John Low received the Burma Views (1857) set on 15th April 1857. See Registry files for papers on acceptance of gift. See Dewan p.260 for listings of other copies of the same photograph elsewhere.
This photograph was published in the album Burma Views 1857, by Captain L. Tripe, official photographer to the Government of India's Mission to Ava [Burma]. Tripe made over 200 photographs during this trip, and the captions to the images are thought to be a collaboration between Tripe and the secretary to the Mission to Ava, Henry Yule.
Tripe’s Burma Views were distributed widely and were very well received. Tripe sent 50 copies to Calcutta. Fourteen sets from these were distributed by the Government of India, including seven sets to members of the Mission to Ava, former capital of Burma. Twenty sets were ordered by the East India Company’s Court of Directors, and most were given to members of the Court. It is not known what happened to the remaining sixteen sets. Due to Tripe’s ownership of the negatives, he printed a selection of his photographs for further distribution. A set of 92 views of Burma was given to the King of Prussia, and more sets were given to the Madras Photographic Society and associated figures. Two hundred and ninety additional prints were offered for sale at 2 Rupees per print at Griffiths and Co., Madras.


Historical context note
In April 1855 Lord Dalhousie, governor general of India, advised on a political trip to Amerapoora, Burma following the annexation of Pengu (part of Burma) by the British after the 1852 Anglo-Burmese war. Tripe was sent to accompany the party in 1855 as official photographer. The photographs he made during his stay resulted in his album of 122 images, Burma Views, published in 1857. These photographs result from this project, and have Tripe’s original numbering and titles on their mounts.


Descriptive line
Photograph, 19th century, No. 53 from series 'Burma Views' by Linnaeus Tripe, 'Amerapoora. Nagayoung Pagoda', albumen print, Burma, 1855
Bibliographic References (Citation, Note/Abstract, NAL no)
Dewan, Janet. The Photographs of Linnaeus Tripe: A Catalogue Raisonné. Toronto: Art Gallery of Ontario, 2003, p.260.
Labels and date
Nagayoung Pagoda (Nagayon) Amerapoora (Amarapura), 1800–50 By Linnaeus Tripe (1822–1902)
The large naga, or serpent, towering over the roof gives this white stone pagoda its name. It shelters the central shrine containing a Buddha image, while two long nagas border the staircase. The pagoda symbolises the story of the Naga Mucalinda, who is said to have sheltered the Buddha during a storm.
Albumen print, 1855 Museum no. 1534-1909


Attribution Note
Edition number unknown. This print was probably made to go into the album 'Burma Views', of which 50 full sets were produced. Additional prints were produced by Tripe for different sets of Burma images.
Techniques -Calotype
Subjects depicted - Buddhist
Categories -Photographs; Architecture; Buddhism
Collection code -IND

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1855 Burma Landscape  

Posted by shae myanmar in

Colossal Statue of the Gautama close to the N.end of the wooden bridge

Object - Photographed

Place of origin - Burma (Photographed)

Date- 1855 Artist/Maker - Tripe, Linnaeus ( photographer ) Materials and Techniques- Salted paper print from waxed paper ( calotype )negative Current Location - Victoria & Albert Museum Museum number - 1527 - 1909 Gallery Location - In Store

Physical description

A colossal stone figure of the Buddha surrouned by trees and small zedi (stupas/pagodas).

Date

August 1855 to November 1855 (photographed)
1857 (printed and published)

Dimensions

Height: 249 mm (photographic print)
Width: 341 mm (photographic print)

Object history note

This photograph was one of a series from Burma Views which was presented to the V&A in July 1909 by Lady Ida Low, wife of Malcolm Low, Esq., of the Bengal Civil Service and daughter-in-law of General Sri John Low. As a member of the Council of India in 1857, Sir John Low received the Burma Views (1857) set on 15th April 1857.
See Registry files for papers on acceptance of gift.
See Dewan p.255 for listings of other copies of the same photograph elsewhere.

This photograph was published in the album Burma Views 1857, by Captain L. Tripe, official photographer to the Government of India's Mission to Ava [Burma]. Tripe made over 200 photographs during this trip, and the captions to the images are thought to be a collaboration between Tripe and the secretary to the Mission to Ava, Henry Yule.

Tripe’s Burma Views were distributed widely and were very well received. Tripe sent 50 copies to Calcutta. Fourteen sets from these were distributed by the Government of India, including seven sets to members of the Mission to Ava, former capital of Burma. Twenty sets were ordered by the East India Company’s Court of Directors, and most were given to members of the Court. It is not known what happened to the remaining sixteen sets. Due to Tripe’s ownership of the negatives, he printed a selection of his photographs for further distribution. A set of 92 views of Burma was given to the King of Prussia, and more sets were given to the Madras Photographic Society and associated figures. Two hundred and ninety additional prints were offered for sale at 2 Rupees per print at Griffiths and Co., Madras.

Historical context note

In April 1855 Lord Dalhousie, governor general of India, advised on a political trip to Amerapoora, Burma following the annexation of Pengu (part of Burma) by the British after the 1852 Anglo-Burmese war. Tripe was sent to accompany the party in 1855 as official photographer. The photographs he made during his stay resulted in his album of 122 images, Burma Views, published in 1857. These photographs result from this project, and have Tripe’s original numbering and titles on their mounts.

Descriptive line

Photograph, 19th century, No.46 from series 'Burma Views' by Linneaus Tripe, 'Colossal Statue of Gautama close to the N.end of the wooden bridge', salted paper print, 1855

Bibliographic References (Citation, Note/Abstract, NAL no)

Dewan, Janet. The Photographs of Linnaeus Tripe: A Catalogue Raisonné. Toronto: Art Gallery of Ontario, 2003, p.255.

Labels and date

Colossal Statue of the Gautama Buddha
Amerapoora (Amarapura), 1786
By Linnaeus Tripe (1822–1902)

Measuring 11.4 metres in height, this figure sits in the pose of bhumisparsha mudra, in which the Buddha calls the earth goddess to witness his enlightenment. It acquired the popular name ‘Left in the Sun Image’ as it did not originally have a roof over it. Now sheltered, it is known as the Taung-min-Gyi Buddha.

Subjects depicted - Tree, Pagodas; Buddha

Production Type and Product Note -Limited edition

Collection code - IND

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Posted by shae myanmar in




Object-Photograph
Place of origin-Burma (photographed)
Date-1855
Artist/Maker- Tripe, Linnaeus (photographer)
Materials and Techniques-Salted paper print from waxed paper (calotype) negative
Museum number-1596-1909

Shwe-Dagon is the most important pagoda and pilgrimage site in Myanmar. The structure dates from about 600 AD. In this near view, the main zedi (pagoda) is covered in a scaffolding of bamboo. The structure was put up to enable the regilding of the zedi with gold leaf, an operation that routinely happens to this day. The trees in the foreground are today replaced with a wide forecourt dotted with smaller zedi and shrines.
Linneaus Tripe created one of earliest photographic records of Burma (Myanmar). His reputation as a photographer developed in India where he was employed in the East India Company army. Appointed to accompany the first British diplomatic mission to Burma in 1855, he was instructed to record information about the country. Tripe took over 100 images, demonstrating his skill in observation and composition. He used calotypes or paper negatives, which gave the prints a ‘soft-focus’ look.
Physical description
This image shows one large zedi (pagoda) with several smaller ones nearby. The main zedi is covered in a scaffolding of bamboo. There are trees surrounding the structures.

Object history note

This photograph was one of a series from 'Burma Views' which was presented to the V&A in July 1909 by Lady Ida Low, wife of Malcolm Low, Esq., of the Bengal Civil Service and daughter-in-law of General Sri John Low. As a member of the Council of India in 1857, Sir John Low received the Burma Views (1857) set on 15th April 1857. See Registry files for papers on acceptance of gift. See Dewan p.255 for listings of other copies of the same photograph elsewhere.
This photograph was published in the album Burma Views 1857, by Captain L. Tripe, official photographer to the Government of India's Mission to Ava [Burma]. Tripe made over 200 photographs during this trip, and the captions to the images are thought to be a collaboration between Tripe and the secretary to the Mission to Ava, Henry Yule.
Tripe’s Burma Views were distributed widely and were very well received. Tripe sent 50 copies to Calcutta. Fourteen sets from these were distributed by the Government of India, including seven sets to members of the Mission to Ava, former capital of Burma. Twenty sets were ordered by the East India Company’s Court of Directors, and most were given to members of the Court. It is not known what happened to the remaining sixteen sets. Due to Tripe’s ownership of the negatives, he printed a selection of his photographs for further distribution. A set of 92 views of Burma was given to the King of Prussia, and more sets were given to the Madras Photographic Society and associated figures. Two hundred and ninety additional prints were offered for sale at 2 Rupees per print at Griffiths and Co., Madras
Historical context note
In April 1855 Lord Dalhousie, governor general of India, advised on a political trip to Amerapoora, Burma following the annexation of Pengu (part of Burma) by the British after the 1852 Anglo-Burmese war. Tripe was sent to accompany the party in 1855 as official photographer. The photographs he made during his stay resulted in his album of 122 images, Burma Views, published in 1857. These photographs result from this project, and have Tripe’s original numbering and titles on their mounts.
Descriptive line
Photograph, 19th century, No. 115 from series 'Burma Views' by Linnaeus Tripe, 'Rangoon. Near view of the [Shwe Dagon] Pagoda', albumen print, Burma, 1855
Bibliographic References (Citation, Note/Abstract, NAL no)
Dewan, Janet. The Photographs of Linnaeus Tripe: A Catalogue Raisonné. Toronto: Art Gallery of Ontario, 2003, p.307.
Labels and date
Near View of the Shwe-Dagon Pagoda Rangoon (Yangon), About AD 600 By Linnaeus Tripe (1822–1902)
Shwe-Dagon is the most important pagoda and pilgrimage site in Myanmar. Here, the main zedi is covered in a scaffolding of bamboo. The structure was put up to enable the regilding of the zedi with gold leaf, an operation that routinely happens to this day. The trees in the foreground are today replaced with a wide forecourt dotted with smaller zedi and shrines. [63 words]
Albumen print, 1855 Museum no. 1596-1909
Associated names - Tripe, Linnaeus

Attribution Note
Edition number unknown. This print was probably made to go into the album 'Burma Views', of which 50 full sets were produced. Additional prints were produced by Tripe for different sets of Burma images.


Photographs; Architecture; Buddhism
Production Type and Product Note
Limited edition

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1855 Burma Landscape  

Posted by shae myanmar in

West Entrance to the Shwe-San-dau pagoda, Prome

Object - Photograph
Place of origin - Burma ( made )
Date - 1855
Artist/Maker - Tripe, Linnaeus (photographer)
Materials and Technique - Salted paper print from waxed paper (calotype) negative
Current Location - Victoria & Albert Museum
Museum number - 1485 -1909
Gallery Location - In Store

Physical description

This image shows the entrance to the pagoda (zedi/stupa). Just visible behind the tiered roof structure of of the entrance is the wide spire of the pagoda. Unlike Indian or Sri Lankan stupas, the Burmese zedi were constructed so that worshipers could enter the sacred space.

The entrance is surrouned by other built stuctures and trees and foliage.

Object history note

This photograph was one of a series from Burma Views which was presented to the V&A in July 1909 by Lady Ida Low, wife of Malcolm Low, Esq., of the Bengal Civil Service and daughter-in-law of General Sri John Low. As a member of the Council of India in 1857, Sir John Low received the Burma Views (1857) set on 15th April 1857.
See Registry files for papers on acceptance of gift.
See Dewan p.222 for listings of other copies of the same photograph elsewhere.

This photograph was published in the album Burma Views 1857, by Captain L. Tripe, official photographer to the Government of India's Mission to Ava [Burma]. Tripe made over 200 photographs during this trip, and the captions to the images are thought to be a collaboration between Tripe and the secretary to the Mission to Ava, Henry Yule.

Tripe’s Burma Views were distributed widely and were very well received. Tripe sent 50 copies to Calcutta. Fourteen sets from these were distributed by the Government of India, including seven sets to members of the Mission to Ava, former capital of Burma. Twenty sets were ordered by the East India Company’s Court of Directors, and most were given to members of the Court. It is not known what happened to the remaining sixteen sets. Due to Tripe’s ownership of the negatives, he printed a selection of his photographs for further distribution. A set of 92 views of Burma was given to the King of Prussia, and more sets were given to the Madras Photographic Society and associated figures. Two hundred and ninety additional prints were offered for sale at 2 Rupees per print at Griffiths and Co., Madras.

Historical context note

In April 1855 Lord Dalhousie, governor general of India, advised on a political trip to Amerapoora, Burma following the annexation of Pengu (part of Burma) by the British after the 1852 Anglo-Burmese war. Tripe was sent to accompany the party in 1855 as official photographer. The photographs he made during his stay resulted in his album of 122 images, Burma Views, published in 1857. These photographs result from this project, and have Tripe’s original numbering and titles on their mounts.

Descriptive line

Photograph, 19th century, No 3 from series 'Burma Views' by Linneaus Tripe, 'Prome. West Entrance to the Shwe San-dau Pagoda', salted paper print, Burma, 1855

Bibliographic References (Citation, Note/Abstract, NAL no)

Dewan, Janet. The Photographs of Linnaeus Tripe: A Catalogue Raisonné. Toronto: Art Gallery of Ontario, 2003, p.222.

Labels and date

West Entrance to the Shwe-San-dau Pagoda (Shwesandaw)
Prome (Pyay), 1100–1200
By Linnaeus Tripe (1822–1902)

Shwesandaw, said to enshrine hair relics of the Buddha, is one of the holiest pilgrimage sites in Prome. Unlike Indian or Sri Lankan stupas, the Burmese zedi were constructed so that worshipers could enter the sacred space. This image shows the wide spire of the stupa or zedi just visible in the background, behind the tiered structure of the entrance.

Albumen print, 1855
Museum no. 1485-1909

Associated names - Tripe, Linnaeus

Attribution Note

Edition number unknown. This print was probably made to go into the album 'Burma Views', of which 50 full sets were produced. Additional prints were produced by Tripe for different sets of Burma images.

Subjects depicted -Buddhist

Categories - Photographs; Architecture; Buddhism

Production Type and Product Note - Limited edition

Collection code - IND

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Nagri-Sanskrit  

Posted by shae myanmar in




Chris allowed me to post this Unique photo in my blog. He have taken this photo in V&M museum, because of unusual portion.


I can confirm that the " Mudra " is " Dhamacarkranmudra" .


Asanas is " Pralambana`sana ". This mudra and asanas have been confirmed that since Pyu, about 4-5 AD. As Chris said, this pieces is unusual but its' not rare.


ye dhamma` hetuppabuava`

tesam hetum tatha`gato

a`ha tesan` ca yo nirodho

evamva`di maha`samano


which is means

The condition which arise from a cause, of these the Tatha`gata has stated the cause, also the way of suppressing these same: this is the teaching of the Great Ascetic ( Buddha ).



Chris, Ancient traveller who loves art, reading, food( no meat or alcohol though), opera, cinema

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Sanskrit Texts 1786-1818  

Posted by shae myanmar in

Sanskrit Texts exported into Myanmar between 1786 - 1818, by Dr Than Htun.

S/N Name ( Pali ) Name (Sanskrit) Description Year
1 Akkharibeda Aksarabheda Grammer 1786
2 Atisara ? Medicine 1786
3 Antayava ? Astrology 1786
4 Antaradasabala ? Astrology 1786
5 Anumati ? Logic 1786
6 Abhidantika Abhidhana-tika Dictionary 1786
7 Abhidhan nissaya* Abhidhana-nissaya Dictionary ?
8 Abhidan mu`la Abhidhana-mula Dictionary 1786
9 Amarasara Amarakosa-sara Astrology 1814
10 Amarulika Amarakosa-tika Poetry 1786
11 Amarulika Amarakosa-mula Poetry 1786
12 Ayudaya ? Astrology 1786
13 Ayubeda Ayurveda Astrology/Mediccal 1786-1808
14 Udabahatatthatika ? Law 1786
15 Udabahatatthamula ? Law 1786
16 Upadivadadipani ? Logic 1786
17 Ekakkharakosa Ekaksara-kosa Dictionary 1786
18 Ekakkharakosa nissaya Ekaksara-nissaya Dictionary 1786/1808
19 Osadharatanakara nissaya Ausadharatnakara-nissaya not sure not sure
20 Kapura mancara Karpuramanjari Logic 1786
21 Kalapkitmula Kalapakrit-mula Grammer 1786
22 Kalapakhyat mula Kalapaakhyata-mula Grammer 1786
23 Kalapunhatmula Kalapaunadi-mula Grammer 1786
24 Kalapkaraka mula Kalapakaraka-mula Grammer 1786
25 Kalapkitpancika Kalapakrit-panjika Grammer 1786
26 Kalapkitmula Kalapakrit-mula Grammer 1786-1808
27 Kalapgopinat karaka ? Grammer 1786
28 Kalapgopinat sandhi ? Grammer 1786
29 Kalapgopinat samas ? Grammer 1786
30 Kalaptaddhit mula Kalapa-taddhita-mula Grammer 1786
31 Kalapanamsula mula Kalapa-nama-ksudra-mula Grammer 1786
32 Kalapdipanikaraka Kalapa-dipani-karaka Grammer 1786
33 Kalapdipanitaddhit Kalapa-dipani-taddhita Grammer 1786
34 Kalapdipaninam Kalapa-dipani-nama Grammer 1786
35 Kalapdipanisandhi Kalapa-dipani-sandhi Grammer 1786
36 Kalapdipanisahas Kalapa-dipani Grammer 1786
37 Kalapparaset Kalapa-prasasta Grammer 1786
38 Kalapparasetkaraka Kalapa prasasta karaka Grammer 1786
39 Kalapparasetnam Kalapa prasastanam Grammer 1786
40 Kalapparaset sandhi Kalapa prasasta-sandhi Grammer 1786
41 Kaladparaset samas Kalapa prasasta-samasa Grammer 1786
42 Kalapsandhi mula Kalapa-sandhi-mula Grammer 1786
43 Kalapsandhimancika Kalapaa-sandhi-panjika Grammer 1786
44 Kalapsahasamula ? Grammer 1786
45 Kabyakasika ? Poetry 1786
46 Kabya candrika ? Kavya Poetry 1786
47 Kabyalankara Kavyalankara Poetry 1786
48 Kamaratana nissaya ? ? ?
49 Kamayatana ? Medical 1808
50 Kalidasamahakabyatika Kalidasa-mahakavyatika Poetry 1786
51 Kalidasamahkabya mula Kalidasa-mahakavya-mula Poetry 1786
52 Kasikhandha Kasikhandha ? 1786
53 Kushyamantali ? ? 1817
54 Kulannada ? Folk 1786
55 Kevalajadipani Kaivalyajadipani Logic 1786
56 Gajadisadipani ? Logic 1786
57 Gajashyatra Gajasastra on elephants 1810
58 Gamarasatantara mantara ? ? 1814
59 Garamahataprapurana ? ? 1814
60 Garitacintamani ? Medical 1808
61 Garudhammapurana ? ? 1814
62 Gunasiromani Gunasiroman Grammer 1786
63 Gurugutrakyiram ? ? 1816
64 Gottamasuttara Gautamasutra ? 1814
65 Gorikanashayatra ? ? 1814
66 Gratsandhi ? Astrology 1786
67 Grahasantiyatara Grahasanti-sastra on prophesying 1810
68 Gradavattha ? Logic 1786
69 Cankaraka ? Grammer 1786
70 Cannam ? Grammer 1786
71 Cansandhi ? Grammer 1786
72 Cansamas ? Grammer 1786
73 Curamani ? Grammer 1786
74 Chathapancasika ? Astrology 1786
75 Chandapancari Chandomanjari ? Thesaurus 1786
76 Janambhagi ? ? 1816
77 Jandaracintamani ? Medical 1808
78 jalasayasargga ? Astrology 1786
79 Jagadisidipani ? Logic 1786
80 Jataka candrima ? Astrology 1786
81 Jatakannava Jatakarnavo Astrology 1786
82 Jatakapadamati ? Astrology 1786
83 Jatakapharana ? Astrology 1786
84 Jatacandrika Jatakacandrika Astrology 1786
85 Jatisujataka nissaya ? ? ?
86 Jiram ? ? 1816
87 Jotitattha Jyotisatattva Astrology 1786
88 Jotitinnaya ? Astrology 1786
89 Jotidipika Jyotisadipika Astrology 1786
90 Jotiratana Jyotisaratna Astrology 1786
91 Jotirasagraha ? Astrology 1786
92 Jotisattha Jyotisasastra ? 1810
93 Jotisara ? Medical 1808
94 Takkikasiromani ? Logic 1786
95 Tattha cintamani Tattvacintamani Logic 1786
96 Tantarasara Tantrasara Astrology 1786
97 Tantarasarapum Tantrasarapuma Astrology 1786
98 Tantasara Tantrasara Medical 1808-1814
99 Titathamuttavamuna nayatana ? ? 1814
100 Tithitattha Tithitattva Astrology 1786
101 Tithisarupa ? Astrology 1786
102 Tithidipani Tithidipani Tattva Logic 1786
103 Danyapuja ? Astrology 1786
104 Dabyabhasa ? Grammer 1786
105 Dabyomasa ? Logic 1786
106 Dasadhatu ? Grammer 1786
107 Dayatatthatika Daya(bhaga) tattva-tika Law 1786
108 Dayatatthamula Daya9bhaga)tattva-mula Law 1786
109 Dayabhagatattha Dayabhagatattva Law 1786
110 Dayabhaganinnaya Dayabhagamula Law 1786
111 Dayabhasirddhanta Dayabhaga-siddhanta Law 1786
112 Dayadhikara Dayadhikara Law 1786
113 Dinasagraha ? Astrology 1786
114 Dibyaculamani ? Astrology 1786
115 Dibyatattha ? Astrology 1786
116 Digitattha ? Medical 1808
117 Dighaparasiddhanta ? ? 1817
118 Dipakacakra ? Astrology 1786
119 Drabagunmula Dravyaguna-mula Medical 1786
120 Drabyagun nissaya Dravyaguna-nissaya ? ?
121 Dribyagundipani Dravyaguna-dipani Medical 1786
122 Dhatulakkhana Dhatulaksana Grammer 1786
123 Dhammasattha Dharmasastra Law 1786
124 Dhatumala Dhatumala Grammer 1786
125 Dhatudhiratinibbayana ? ? Medical 1810
126 Dhatuprasamsa ? Medical ?
127 Dhatuprasamsa nissaya ? Medical 1810
128 Dhatumala Dhatumala Grammer 1786
129 Nana samas ? Grammer 1786
130 Narabhan ? ? 1814
131 Narabhantika ? ? 1814
132 Nagajunapariccheda Nagarjuna-pariccheda Medical 1786
133 Nanatthadhvani nissaya Nanrthadhivani-nisssaya Medical ?
134 Nanatthamaranimancari Nanrthamanimanjari Dictionary 1786
135 Pancakasakottara ? Folk 1786
136 Pancapakkhi ? Astrology 1786
137 Padesa ? ? 1816
138 Paramasadipani ? Logic 1786
139 Paribhasa ? Grammer 1786
140 Paninbyakaruinakgyat Panini-vyakarana-akhyata Grammer 1786
141 Parabhipakashyamuccala ? Astrology 1814
142 Pedantaparibhasa Vedanta-paribhasa Grammer 1786
143 Pratyantaradasapum ? Astrology ?
144 Pratyantarasa ? Astrology 1786
145 Bahuratanamaratantadipanitika Bahu-ratna-maratantradipani-tika ? 1814
146 Balapabodhana nissaya Balaprabodhana-nissaya ? ?
147 Balabandhi ? Grammer 1786
148 Brastininupana ? Astrology 1786
149 Brasasargga Brsotsarga Folk 1786
150 Buddhasirita ? ? 1817
151 Buddhadhikara Buddhadhikara Grammer 1786
152 Bedantasara Vedantasara ? 1817
153 Byatirekadipani Vyatirekadipani Logic 1786
154 Byatthidipani ? Logic 1786
155 Byavaharatattha Vyavahara-tattva Logic 1786
156 Bratthigrahopayadipani ? Logic 1786
157 Brahmavevatta Brahmavaivarta Folk 1786
158 Brui,haj nissaya Brhajjataka nissaya ? ?
159 Battiyamadhu ? Medical 1812
160 Bhasuti Bhasvati Astrology 1786
161 Bhasuti Kin;chan Bhasvati Astrology 1786
162 Bhasuti Caka.pre Bhasvati Astrology ?
163 Bhasuti nissaya Bhasvati nissaya Astrology ?
164 Bhavabrakarana Bhava-prakarana Astrology 1786
165 Bhidatamuttavali ? ? 1817
166 Bhudhamati Sutta ? ? 1817
167 Bhedampara ? ? 1817
168 Bhesajjanighantu Bhaisajya-nirghantu Medical 1810
169 Bhojavaratantarajaniti Bhojavaratantra-rajaniti ? 1814
170 Macagiram ? ? 1816
171 Madhukosa Madhukosa Medical 1786
172 Malamasattha Malamasa-sastra Astrology 1786
173 malimbucuttha ? Astrology 1786
174 Masankaramissa ? Grammer 1786
175 Manamedhammashyatta Manameyodayadhamasastra ? 1817
176 Muddhabodhamuledipani Mugdhaboda-mula Grammer 1786
177 Muddhabodhamuledipani Mugdhabodhamula-dipani Grammer 1786
178 Yogavabitadithi Yogavasista-drsti Grammer 1814
179 Ratanakosa Ratnakosa Dictionary 1786
180 Rasayanasamuccaya Rasayana-samuccaya Medical 1814
181 Rajaniti Rajaniti Conduct 1786-1814
182 rajabhisekakyam:nissaya Rajabhiseka ? ?
183 Ra(ja)mattan nissaya Rajamatram nissaya(9) ? ?
184 rajasam sargga Rajasamsarga Folk 1786
185 Lakkhana kyam;nissaya ? ? ?
186 Laghusamgraha nissaya Laghukaumudisamgraka-nissaya ? ?
187 Lilapati Lilavati Logic 1786/1814
188 Lokaniti Lokaniti Conduct 1786
189 Vakkhajatidipani ? Logic 1786
190 Vararoga ? Medical 1809
191 Vadakadipani ? Logic 1786
192 Varahisamhita Varaha-samhita Astrology 1814
193 Vasithacandarana Vasistha-candrayana Astrology 1814
194 Vipahapathala Vivaha-patala Astrology 1814
195 Vadyajjivana ? Medical 1814
196 Sanketakomudi Sanketakaumudi Astrology 1786
197 Samayabyadhipadesa Samaya byadhi-pradesa Medical 1808
198 Samayabradipa Samayapradipa Astrology 1786
199 Samratitattha Smrti-tattva Astrology 1786
200 Saradve tika ? Astrology 1786
201 Sardve nissaya ? Astrology ?
202 Saradve upm ? Astrology 1786
203 Saradve mula ? Astrology 1786
204 Saramancari Saramanjari Astrology 1786
205 Sararatukathana nissaya Sad-rtu-kathana-nissaya ? ?
206 Sararitukathana Sad-rtu-kathana-nissaya Medical 1786
207 Samanyadipani Samanyadipani Logic 1786
208 Sarakomudi nissaya Sarakaumudi-nissaya ? ?
209 Sarasankhepa Sarasankhepa Medical 1809
210 Sarasvati byakaruin Sarasvata-vyakarana ?Grammer ?
211 Siddhantarahassa Siddhanta-rahasya Logic 1786
212 Sipajra ? Astrology 1786
213 Sipatrabhaja ? Astrology 1814
214 Sivapuran Sivapurana Folk 1786
215 Siritatthacintamani Sritattva-cintamani Logic 1786
216 Suryyasiddhantakri Suryasiddhanta Astrology 1786-1801
217 Suryyasiddhanta nay Suryasiddhanta Astrology 1786
218 Suryyasiddhanta nissaya Suryasiddhanta nissaya Astrology ?
219 Sutramala Sutramala Grammer 1786
220 Supinaniddara Svapna-nidra( no dream ) ? 1810
221 Supinadyaya Svapnadhayaya Astrology 1786
222 Supinadhayaya nissaya Svapnadhyaya-nissaya ? ?
223 Suruta Suruta Medical 1814
224 Svarasatidipanisamas Sarasvatadipani-samasa Grammer 1786
225 Svarasatibyakarin akhyat Sarasvata-vyakarana-akhyata Grammer 1786
226 Svarasatibyakarin unhat Sarasvata-vyakarana-unadi Grammer 1786
227 Svarasatibyakarinkaraka Sarasvata-vyakarana-unadi Grammer 1786
228 svarasatibyakarinkit Sarasvata-vyakarannakrit Grammer 1786
229 Svarasatibyakarintaddhit Sarasvata-vyakarana-taddhita Grammer 1786
230 Svarasatibyakarinnam Sarasvata-vyakarana-nama Grammer 1786
231 Svarasatibyakarinisandhi Sarasvata-vyakarana-sandhi Grammer 1786
232 Svarasatibyakarin samas Sarasvata-vyakarana-samasa Grammer 1786
233 Satadapadattha Sat-padartha Grammer 1786
234 Sadacandrika sara-candrika Folk 1786
235 Huirashyatra Horasastra Astrology 1814
236 Hoaurabharana Horabharana Astrology 1814

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19 July  

Posted by shae myanmar in


In August 1988, the people of Burma defied decades of military oppression with one of the most remarkable popular uprisings of recent times.
The demonstrators carried pictures of…General Aung San, the country’s greatest hero, led Burma to independence from Britain.

http://topdocumentaryfilms.com/who-really-killed-aung-san/

Go through this great collection of documentary movies and watch free documentaries online.
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I don't know how to link this video to my blog and how to download for my own. PLEAKE CLICK ON THE ABOVE LINK

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ManuscriptParabaik  

Posted by shae myanmar in












Object- ManuscriptParabaik
Date- ca. 1880
Techniques- Folding leaves of native paper made from the bark of the paper tree (mahlaing in Burmese or broussonetia papyrefera); illustrations in watercolour

Place- Mandalay (City), Burma (probably)
Dimensions
Length 40.7 cmWidth 17.8 cm (folded)

Current Location - Victoria & Albert Museum
Museum number- IM.87-1936

This folding manuscript or parabaik illustrates the King and Queen of Burma inspecting the military and taking part in other courtly activities. The ceremonies illustrated in the five folios here are: the towing of the Royal Barge; an elephant procession; a polo match; a performance with musicians and dancers; and a royal procession with the King and Queen.

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ManuscriptParabaik  

Posted by shae myanmar in



Object- ManuscriptParabaik
Date- ca. 1880
Techniques- Folding leaves of native paper made from the bark of the paper tree (mahlaing in Burmese or broussonetia papyrefera); illustrations in watercolour
Place-Mandalay (City), Burma (probably)

Dimensions
Length 38.1 cmWidth 17.8 cm

Current Location - Victoria & Albert Museum

Museum number-IM.88-1936


This folding book, or parabaik, consists of 21 folios and illustrates one of the many stories of the Buddha's former lives, known as 'jatakas'. This jataka tells the story of the Buddha's former incarnation as Vidura, the wise minister of a King. As the story goes, Vimala, the wife of the ocean-god Varuna, coveted Vidhura. In order to get him, she ordered the demon Punnaka to bring Vidhura to her. Punnaka managed this by the trick of enticing the King to gamble his minister in a game of dice. The king lost, and Punnaka won Vidhura and took him off to the court of Vimala and Varuna. Over time, however, Vimala and Varuna were so taken with Vidhura's wisdom that they eventually allowed him to return to his original master, the King. The episodic treatment of the story sets out the narrative in no particular order through the illustrations of the text.

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Naga Language  

Posted by shae myanmar in

Naga (Zeme)

Sample - Translation

In the beginning God created heaven and earth. The earth was formless and empty, and darkness covered the deep water. The spirit of God was hovering over the water. Then God said, "Let there be light!" So there was light. God saw the light was good. So God separated the light from the darkness. God named the light "day", and the darkness he named "night". There was evening, then morning, the first day. Then God said, "Let there be a horizon in the middle of the water in order to separate the water". So God made the horizon and separated the water above and below the horizon. And so it was. God named what was above the horizon "sky". There was evening, then morning, a second day.
Statistics
India (27,000) - Total (27,000)
Classification- Sino-Tibetan, Tibeto-Burman

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Peacock and Khone Baung Dynasty  

Posted by shae myanmar in



Object- Table runner
Date- ca. 1890s (painted)
Techniques - Painted silk
Place- Burma (painted)
Dimensions
Length 99.3 cmWidth 51.2 cm

Current Location- Victoria & Albert Museum
Museum number- IS.28-1974


In the centre of this painted silk table runner is a peacock (the emblem of the Konbaung dynasty, 1752-1885), painted within a circle. On each of the four sides, facing outwards, are scenes possibly relating to the exile of King Thibaw and Queen Supayalat after the British annexation of Mandalay in 1885.


The scene below the peacock shows a palace with two royal figures seated in a forecourt, receiving homage from courtiers and ministers; to the left of the peacock are two royal figures attended by Burmese subjects on their left and British soldiers on their right; to the right of the peacock a group of British and Indian soldiers are shown being led towards the palace by a Burmese; and above the peacock British and Indian soldiers are being received by Burmese ministers.

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Sorry for my photo arrangement, have no idea how to post this photo, because of four directions.

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Deportation of the King and Queen from Mandalay  

Posted by shae myanmar in



Object- Painting
Title- Deportation of the King and Queen from Mandalay - 1885
Date- ca. 1885-1895 (painted)
Techniques- Gouache on cotton cloth
Place- Mandalay (City), Burma (painted)


Dimensions-

Height 93 cm (overall)

Width 106 cm (overall)

Height 81.5 cm (painting)

Width 92 cm (painting)


Current Location- Victoria & Albert Museum
Museum number- IS.50-1981



This painting shows the departure of King Thibaw (r. 1878-1885) and Queen Supayalat from Mandalay to exile in India at the end of the third Anglo-Burmese war in 1885, when Britain annexed Upper Burma, finally gaining control of the whole of the country.


The King and Queen stand in the centre of the picture under umbrellas, with two children in front and courtiers to their right. In the background is the palace, and on each side its walls. The road is lined with British troops, with a British officer mounted on a horse on each side.


Two bullock-drawn carriages are on the left, and in front of the royal party (in the foreground) stand British and Sikh officers, and two Burmese officials wearing short black jackets and pahsoes of luntaya-acheik patterned silk.


It is likely that this picture is intended to represent the moment when the King and Queen had been brought from the palace and, having got out of their carriage, were about to embark on the river-steamer to begin the first stage of their journey into exile in India.

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19th C Burmese Elephant Camp  

Posted by shae myanmar in



Object-Painting
Title- Elephant taming
Date- late 19th century (painted)
Techniques- Gouache, with partial gilding, on prepared cotton cloth
Place- Burma (painted)
Dimensions- Length 108 cmWidth 86.5 cm

Current Location- Victoria & Albert Museum
Museum number- IS.29-1974


The painting accurately illustrates an exhibition of elephant taming at the Court of Ava (Mandalay) during the latter part of the Konbaung Dynasty (1752-1885), a traditional practice which had existed since at least the 15th century.


The scene also includes depictions of many other courtly pursuits. At the top of the picture, a king and queen are seen in the royal pavilion attended by their ministers. In the centre is an enclosure consisting of a brick wall, with a balcony running all the way round at the top, supported by timber columns. At the centre of this enclosure is another pavilion protected by a timber fence.


Spectators are seated all around the top, on the balcony and inside the arcade formed by timber supports, watching a wild elephant being baited by several men inside the enclosure. At top left a pwe (a theatrical performance) is taking place, with an orchestra featuring Burmese instruments, including the patt waing (drum circle), kyi waing (gong circle) and pat-ma (suspended base drum). At top right a pony race takes place within a corner of the moated palace (Mandalay) compound with one of the entrances. Provincial rulers on elephants and horseback followed by attendants carrying their regalia process on the right and left of the picture.


A group of royal cavalry on the lower left are distinguished by their uniforms and horses livery. And, at the bottom of the picture, female elephants and their calves are being driven towards the entrance to the enclosure by tame elephants with their mahouts. Figures are portrayed in costumes of the period--the women in trailing hta-meins, the men in pah-soes worn either as a type of sarong or drawn up to form pantaloons, revealing the tattooing which Burmese men underwent as a form of talisman against evil.

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Karen Rain Drum ( Phar Si )  

Posted by shae myanmar in


Object types-drum

Materials-bronze
Techniques- stamped
Production place- Made in Burma
Place (findspot)-Found/Acquired Burma
Date-18thC-19thC
Schools /Styles-Shan States Style

Description Bronze drum decorated with medallions bearing fish and flowers. Dimensions Diameter: 21.5 inches Height: 16.6 inches Current Location- British Museum, London

Department: Asia

Registration number: 1947,1014.1

Curator's comments Described in the old draft register as a "Keren gong from Burma".

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Manuscript/Parabaik  

Posted by shae myanmar in




Object-Manuscript/Parabaik
Date-ca. 1880
Techniques-Covers of red thitsi lacquer, enclosing leaves of paper made from the bark of the paper tree (Broussonetia papyrifera)
Current Location- Victoria & Albert Museum
Place-Mandalay (City), Burma
Dimensions
Length 40.6 cm
Width 17.7 cm
V
Museum number-IM.320-1924

Sumptuary laws were strictly observed at the Court of the Konbaung Kings--the last dynasty to rule in Burma (1752-1885). Court manuals documented and prescribed the appropriate dress and ornament for different ranks of officials to wear for particular ceremonies. The very fine 37 page parabaik, or folding manuscript, from which these three images were taken was formerly in the Royal Library of King Thibaw (r.1878-1885). It illustrates and describes the costumes and paraphernalia allowed to court by provincial officials and their wives for a royal celebration at the King's Palace at Mandalay in 1880.

Shown here is the lavishly ornamented dress, assembled in layers, worn by the wife of a minister which includes her ornate black velvet sibon (a headdress to cover hair and top-knot) decorated with beetle wings and gold lace, along with her gold, long-stemmed ear tubes and jewelled bracelets. Also shown are pages illustrating the civil and military court dress awarded to the king's Lord Chamberlain, as well as that prescribed for a provincial governor.

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1826 (painted)  

Posted by shae myanmar in


Object-Painting
Date-1826 (painted)
Techniques-Watercolour on paper

Place-Burma
Dimensions
Height 11.5 cm
Width 9 cm
Current Location- Victoria & Albert Museum
Museum number-IS.58-1964

The pictures made by Indian artists for the British in India are called Company paintings. An artist from Calcutta, who accompanied the British Commissioners to Malun, Burma, in 1825-1826, probably painted this one. They had gone there for a conference with the king and representatives of the Burmese government. War with Burma broke out in 1824 and dragged on until February 1826. This was when the Treaty of Yandaboo began the transfer of Burmese territories, which continued until 1886. The Governor-General, Lord Amherst, and the Burmese Kinwun Mingi (Prime Minister) attended the conference of Malun, which paved the way for this treaty.

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Minister's military court costume  

Posted by shae myanmar in


Object-Minister's military court costume
Date-ca. 1878-1885
Techniques-Velvet and silk, with gold brocade, gold-thread embroidery and silver-gilt sequins

Place-Mandalay (City), Burma
Dimensions
(Minister's military court robe) Length 123 cm (shoulder to hem)
(Minister's military court robe) Width 36 cm (across shoulders)
(Minister's military court robe) Length 55 cm (sleeves)
(Jacket) Length 65 cm (shoulder to hem)
(Jacket) Width 43 cm (across shoulders)
(Collar (neckwear)) Circumference 45 cm (approx.)
Current Location- Victoria & Albert Museum
Museum number-IS.256 to B-1960

This ceremonial military costume of gold encrusted green and plum velvet was specially styled for a minister who served King Thibaw (r.1878-1885), the last king of the Konbaung Dynasty, at the Court of Mandalay. Consisting of a long fitted robe, separate sleeveless jacket and spectacular "cloud collar". The quality of the velvet, its colour and degree of gold decoration defined the minister's rank, which he had been awarded by the King.

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